NaomiInTeal

Oct 20

[video]

[video]

(Source: bexargoods, via lajoiedespetiteschoses)

(Source: daiquiri-kisses, via monbeaudesordre)

(Source: totoro-is-my-neighbor, via monbeaudesordre)

emmahyphenjane:

422. Mercury Fastening His Heel-Wings by François Rude, Detail - Musée du Louvre, Paris

emmahyphenjane:

422. Mercury Fastening His Heel-Wings by François Rude, Detail - Musée du Louvre, Paris

(via monbeaudesordre)

bigstupidbaby:

personally i feel like romeo and juliet could have handled the situation better 

(via strengthofalionheart)

Oct 17

(Source: album-de-food, via demonic-furby)

crydaisy:

introvert-loser:

Van Gogh’s “The Starry Night” and Hokusai’s “The Great Wave off Kanagawa” in one painting

YES

crydaisy:

introvert-loser:

Van Gogh’s “The Starry Night” and Hokusai’s “The Great Wave off Kanagawa” in one painting

YES

(via monbeaudesordre)

[video]

touchn2btouched:

“The soul should always stand ajar, ready to welcome the ecstatic experience.” 
__Emily Dickinson

touchn2btouched:

“The soul should always stand ajar, ready to welcome the ecstatic experience.” 

__Emily Dickinson

(Source: venusasaboy1, via monbeaudesordre)

Oct 12

[video]

thephotographerssociety:

jenquest:

What once was

These soft ripples in the sand make up an image of great beauty and plasticity; a pattern that leads us to the realm of the abstract. inviting us to watch differently, to abandon the conventions and preconceived ideas.
-Juan Manuel

thephotographerssociety:

jenquest:

What once was

These soft ripples in the sand make up an image of great beauty and plasticity; a pattern that leads us to the realm of the abstract. inviting us to watch differently, to abandon the conventions and preconceived ideas.

-Juan Manuel


Batammaliba (West Africa, primarily Togo & Benin) Architecture: “The north-south gender division within each house is reinforced by gender-related activites, rituals, and the placement of the deities’ shrines. 
The second house division is the use of upstairs, female space and downstairs, male space. 
Finally the house is divided into the front and outside, men part and into the back and interior, women part. 
All three gender-associated divisions are explained through inversion that is seen to have a religious base. What becomes clear is that, in this spatial inversion, the house is defined primarily as a residence of the gods and deceased elders. Only secondarily, and through inversion, is the house identified with humans.”
 -The Anatomy of Architecture: Ontology and Metaphor in Batammaliba Architectural Expression
(via ajnabee)

Batammaliba (West Africa, primarily Togo & Benin) Architecture: “The north-south gender division within each house is reinforced by gender-related activites, rituals, and the placement of the deities’ shrines.

The second house division is the use of upstairs, female space and downstairs, male space.

Finally the house is divided into the front and outside, men part and into the back and interior, women part.

All three gender-associated divisions are explained through inversion that is seen to have a religious base. What becomes clear is that, in this spatial inversion, the house is defined primarily as a residence of the gods and deceased elders. Only secondarily, and through inversion, is the house identified with humans.”

-The Anatomy of Architecture: Ontology and Metaphor in Batammaliba Architectural Expression

(via ajnabee)

(via hahayou)

[video]